Pat says Roger apparently died in his sleep with no forewarning. According to his journal he was even extremely happy just the evening before, having just completed both mental and physical projects: a book he'd been working on for years; and for the cabin, an outhouse and a breadbox. The breadbox, neatly circled with the tools used to make it not yet put away, lay like an icon of life in front of the bed at the back of the room.

        I scatter some of his ashes from the remaining cliffs of the Ziegenfuss quarry where we used to swim as kids, converted to a landfill so that each time I visit more of it is buried, like the past slowly submerging, disappearing under rubble. Solid-looking shafts of sunlight like emissaries from the realm above lend the landscape's background a contrasting beauty, and the wind blows the ash back toward me as I kneel on the cliff's edge.

        Walking back home I pass through a slightly different part of the stone-masonry yard than usual to discover they've assembled a faux-cemetery yard, laid out like the real thing, showcase for headstones on sale, each one awaiting its customer/corpse, centers still smooth of particular names and dates, engraved only with arabesques, peripheral filigree and ornamentation. The place seems to speak to me like a hallucination, and I stop as though figuring life's riddle but only making half-sense out of anything.
 
 












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